Founders
Episode 242 #242 Francis Ford Coppola: A Filmmaker’s Life
Founders

Episode 242: #242 Francis Ford Coppola: A Filmmaker’s Life

Founders

Episode 242

#242 Francis Ford Coppola: A Filmmaker’s Life

David Senra is the host of Founders, where he studies history's greatest entrepreneurs. This is what he learned from reading Francis Ford Coppola: A Filmmaker's Life by Michael Schumacher.

What I learned from reading Francis Ford Coppola: A Filmmaker's Life by Michael Schumacher.

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[2:49] You can always understand the son by the story of his father. The story of the father is embedded in the son.

[5:33] I had spent a lifetime with a frustrated, and often unemployed man, who hated anybody who was successful.

[7:01] And he said, “Yeah, but there can only be one genius in the family. And since I'm already that, what chance do you have? “What kind of father says something like that to his son?

[8:21] He is incredibly talented and incredibly pretentious. He doesn't know what he's doing half the time and the other half of the time he's brilliant.

[9:46] There is no speed limit. The standard pace is for chumps.

[10:04] Pulitzer: A Life in Politics, Print, and Power (Founders #135)

[11:54]  George Lucas: A Life (Founders #35)

[12:45] Steven Spielberg: A Biography (Founders #209)

[14:10] Coppola displayed a remarkable ability to do whatever was necessary to get the job done.

[16:30] I had an overwhelming urge to make films.

[19:11] I deliberately worked all night so when he'd arrive in the morning he would see me slumped over the editing machine.

[20:36] Say yes first, learn later.

[21:00] My peculiar approach to cinema is I like to learn by not knowing how the hell to do it. I’m forced to discover how to do it.

[23:10] His willingness to seize the moment was one of the main characteristics separating him from his other fellow students and aspiring filmmakers.

[30:44] The Founders: The Story of Paypal and the Entrepreneurs Who Shaped Silicon Valley (Founders #233)

[37:43] You have to control the money or you don't have control.

[38:53] At his absolute lowest point comes his greatest opportunity.

[41:59] It only takes a couple of these gigantic flops to permanently erase any positive financial outcome that you had previously.

[44:55] Either control your emotions or other people are going to control you.

[47:35]  In many cases, the people we study are dead. We can't talk to them, but they can still counsel us through their life stories.

[50:00] Excellence took time and patience.

[51:56] Even in the vortex of the storm some outstanding work was being accomplished. Something strong and powerful was being forged in struggle.

[52:46] Vito Corleone had shown a rough-hewn old-world wisdom, the kind gained through experience rather than from a textbook.

[56:29] A great story about loyalty and friendship. If you have a friend like this, hold onto them.

[1:03:32] Martin Sheen on working for Coppola: I have a lot of mixed feelings about Francis. I'm very fond of him personally. The thing I love about him most is that he never, like a good general, asks you to do anything he wouldn't do. He was right there with us, lived there in shit and mud up to his ass, suffered the same diseases, ate the same food. I don't think he realizes how tough he is to work for. God, is he tough. But I will sail with that son of a bitch anytime.

[1:04:58] I always had a rule. If I was going away for more than 10 days I’d take my kids out of school.

[1:08:31] If you don't have this fundamental alignment between who you are and the work you do —and how you do that work —there's going to be some level of misery unhappiness if you don't resolve that conflict.

[1:12:22] Half the people thought it was a masterpiece and half the people thought it was a piece of shit.

[1:23:01] On the death of his son: I realized that no matter what happened, I had lost. No matter what happened, it would always be incomplete.

[1:25:38] I want to be free. I don't want producers around me telling me what to do. The real dream of my life is a place where people can live in peace and create what they want.

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#242 Francis Ford Coppola: A Filmmaker’s Life

Introduction

“In celebration of 100 years of American filmmaking, the American Film Institute announced a list of the 100 greatest movies ever made. Francis Ford Coppola was involved in 5 of the films on the list. The Coppola entries spoke volumes about the filmmaker’s career. Each of the movies had been made in the 1970s at a time when Coppola was young and hungry and at the pinnacle of his abilities and powers. For one glorious decade, Coppola exacted an influence on moviemaking virtually un-approached by any other filmmaker. Coppola would be the first to concede that none of his movies in the 1980s and 1990s deserve to be on the list, not by a long shot.”

“But one cannot help but wonder what happened to Francis Ford Coppola? Did he expend all of his artistic energy during the '70s? Was he overrated as a filmmaker? Was the failure of his company, along with his highly publicized financial problems, the driving force behind his decision to abandon his risky, yet decisively creative endeavors in favor of safer and more profitable work? Did his son's death give him occasion to reconsider his life as a filmmaker and in fact, guide him toward a change in priorities? Did he simply lose interest in putting himself on the line in film after film? Did he grow complacent once he had rebuilt his empire?”

That is an excerpt from the end of the book that I'm going to talk to you about today, which is Francis Ford Coppola: A Filmmaker's Life, and it was written by Michael Schumacher. And the fact that these questions appear at the very end of the book gives you an indication that there are not going to be any easy answers to this. This was an absolute fantastic book. It's a giant book, almost 500 pages. I spent over 25 hours trying to really fundamentally understand who Francis Ford Coppola was as a person and any kind of lessons that we can draw from his career. And one of the main lessons that I loved is that he was a very messy person. He had a very messy career. He had a very human career. And I like the fact that there was no clear-cut answers to me. This biography was an exposition in what it means to be human, the messy life experience that you and I go through. And I'll tell you why I wanted to read the book and how it fits into every other thing that we're setting on the podcast once we get to George Lucas, I want to jump right into the relationship that he had growing up with his father.

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