Founders
Episode 154 #154 Charles Schulz (Charlie Brown)
Founders

Episode 154: #154 Charles Schulz (Charlie Brown)

Founders

Episode 154

#154 Charles Schulz (Charlie Brown)

David Senra is the host of Founders, where he studies history's greatest entrepreneurs. This is what he learned from reading My Life with Charlie Brown by Charles Schulz.

What I learned from reading My Life with Charlie Brown by Charles Schulz. 

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[0:24] Beginning with the first strip published on October 2nd, 1950, until the last published on Sunday, February 13th, 2000, the day after his death, Schultz wrote, penciled, inked, and lettered by hand every single one of the daily and Sunday strips to leave his studio, 17,897 in all for an almost fifty-year run. 

[4:08] If there were one bit of advice I could give to a young person, it would be to do at least one task well. Do what you do on a high plain. 

[5:54] Slow consistent growth over a long period of time:

Year  / # of newspapers
1950     7
1952    40
1958    355
1971     1100
1975    1480
1984    2000 

[12:00] There are certain seasons in our lives that each of us can recall, and there are others that disappear from our memories, like the melting snow. 

[14:05] I used my spare time to work on my own cartoons. I tried to never let a week go by without having something in the mail working for me. 

[21:03] You don’t work all of your life to do something so you don’t have to do it. 

[22:09] On where ideas come from: Most comic strip ideas are like that. They come from sitting in a room alone and drawing seven days a week, as I’ve done for 40 years. 

[25:03] When he is 73: People come up to me and say: “Are you still drawing the strip?” I want to say to them, “Good grief—who else in the world do you think is drawing it?” I would never let anybody take over. And I have it in my contract that if I die, then my strip dies. 

[30:15] At the point he is writing this he is making $30 to $40 million a year. The total earning of Peanuts is well over $1 billion. 

[32:37] But as the year went by, I could almost say that drawing a comic strip for me became a lot like a religion. Because it helps me survive from day to day. I always have this to fall back upon. When everything seems hopeless I know I can come to the studio and think: Here’s where I’m at home. This is where I belong —in this room, drawing pictures. 

[40:01] If you should ask me why I have been successful with Peanuts, I would have to admit that being highly competitive has played a strong role. I must admit that I would rather win than lose. In the thing that I do best, which is drawing a comic strip, it is important to me that I win. 

[44:26] To have staying power you must be willing to accommodate yourself to the task. I have never maintained that a comic strip is Great Art. It simply happens to be something I feel uniquely qualified to do. 

[45:18] He is the most widely syndicated cartoonist ever, with more than 2300 newspapers. He has had more than 1400 books published, selling more than 300 million copies. 

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#154 Charles Schulz (Charlie Brown)

Introduction

“Charles Schulz was 20th century America's favorite and most highly respected cartoonist. His comic strip, Peanuts, appeared daily in over 2,000 newspapers. Compilations of the strip sold in the millions of copies. Thousands of toys and gift items continue to bear the likeness of Charlie Brown, Lucy, Snoopy and other characters who populate their world. Beginning with the first strip published on October 2, 1950, until the last published on Sunday, February 13, 2000, the day after his death, Schulz wrote, penciled, inked and lettered by hand every single one of the daily and Sunday strips to leave his studio, 17,897 in all for an almost 50-year run.

Charlie Brown and his friends were preoccupied with what has possessed and continued to obsess us all. The relationship of the self to society, the need to establish our separate identities, anxiety over our neurotic behavior and an overwhelming desire to gain control of our destinies. Charlie Brown appeals to us because of his resilience. His ability to confront and humanize the impersonal forces around him and his unwavering faith in his ability to improve himself and his options in life. In his insecurities and defeats, his affirmations and small victories, Charlie is someone with whom we can identify.

This has been Charles Schulz’s amazing gift to the world through his small drawings appearing daily in the buried pages of the comic section of the newspaper. Schulz's major writings have been gathered in this volume. Here, the reader will learn directly from the man himself, the facts of his early life and the development of his career. Here, he talks about a wide variety of topics.

The sources of his creativity and inspiration, how Peanuts came to be, the meaning of each character in the strip, his daily routine, how to achieve a career in cartooning, the importance of his work in animation and television and his work ethic. The intent of this collection of Schulz's essays is to round out the portrait of the man as he saw himself. He speaks entirely for himself in these pieces, and the reader can experience directly the greatness of his mind and soul.”

And that was the excerpt from the introduction of the book I'm going talk about today, which is the autobiography of Charles M. Schulz, and it's titled “My Life with Charlie Brown.” And I just love that last sentence right there. And I think it's a great way to quickly demonstrate why learning from biographies and autobiographies is such a valuable activity. The reader can experience directly the greatness of his mind and soul. I want to go back to what I feel is the most remarkable -- one of the most remarkable paragraphs in any book that I've ever read for the podcast so far.

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